![]() ![]() It doesn’t really matter where that success is coming from or, for that matter, whether it’s earned or not. That success might be tied to their physique or to something else (money - Newton’s world is one-dimensionally crass). They’re powerful men that have a sense of success associated with them. Their identities and to some extent even their physical shapes matter a lot less than how they behave and what they represent. Insight will be gained from looking at the very specific ways in detail.Īs is typically the case in the world of fashion, none of the men are particularly remarkable. This description is very broad, and it applies to almost all photographers. Newton’s photographs usually feature men and women, and these men and women are depicted in very specific ways. But you probably know what a Helmut Newton photograph looks like anyway. If you want, you can look up examples they’re not very hard to find. So what’s going on in Newton’s photographs? I’m not going to show any of them here simply because I find them repulsive. Given that large parts of Newton’s work arose from a fashion context (which frankly I have no interest at all in), you might be able to apply aspects of the following there as well. ![]() But it has taken me some time to figure out what exactly it is that makes them that. I have always found Newton’s photographs to be extremely sexist and misogynistic. I have always been bothered by the fact that this particular photographer has been given such a prominent spot in Berlin, given that I think that his work is hugely problematic. A visitor who wants to see an exhibition at the latter will have to walk past some of Helmut Newton’s most well known photographs, in particular very large prints of a number of nude women. The third floor houses the (separate) Museum of Photography. If memory serves me right, its exhibition spaces occupy two floors of a rather grandiose building. Right at Berlin’s Zoologischer Garten train station, you can find the Helmut Newton Foundation. ![]()
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